Radiating Pantsuit Rap, Page 182.
An anarchist-surrealist tribe called the Metropolitan Indians staged mass shoplifting raids at luxury stores.
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An anarchist-surrealist tribe called the Metropolitan Indians staged mass shoplifting raids at luxury stores.
She asked, behind the counter.
"Don't carry change," I said. "Alcohol instead of vitamins. Hate everyone but the world."
"Yes," she said, looking at the security camera.
I had to read with an illuminated watch and a lighter.
Stories in three-second intervals and burned sheets.
Muse
North American Tour
And finally, of course, is Muse. A career based on the idea that Radiohead's The Bends is best when shot through a glam cannon of opera falsettos, speed-prog riffs, masturbation aids, and knock-off fireworks, exploding in flailing, manic arena-rock like a kid scribbling in a coloring-book by a stopwatch. They're so embarrassingly over-the-top, they're fucking great -- at least on Origin Of Symmetry -- and I can't wait to see them for the first time, which'll be stupid mental.
You could imagine them watching the TV news with the sound off and a joint burning, marinating their minds in an ambient broth of catastrophe and conflict.
The end of pre-sex, that's what she liked, that helped her study the sub-atomic level.
Made more sense.
"I had really tight drainpipe jeans, stitched at the crotch with leather, and instead of a T-shirt I had a pair of women's tights, with the crotch ripped out for my neck to go through, pulled over my head and stretched really tight. And I'd got a cigarette and burned holes in it, so it was split everywhere. The finishing touch was the bracelets: two small, individual-portion baked-bean cans, cut out at both ends and then slipped over my wrists."

He'd first noticed Castle because of a prankster performance art stunt he'd pull during the fine-arts faculty shows. "I'd be this character Gorge who wore an enema bag badolero," says Castle. "My sidekick, Poot Man, dressed in black wrestling shorts and a black full-face mask like those Mexican wrestlers. He walked around like a monkey, knuckles trailing on the ground. The art was always bad, derivative stuff -- endless mindless landscapes and still lifes. I'd point at a picture and go, 'Poot Man!' and he'd rub his ass on the artwork, or hold his nose like it stunk. Every time Poot Man took a pretend shit on the art, I'd reward him with milk, which he'd suck through the enema tube."